This Floating Excrement Was Far Too Meaningful! It's the Television Letdowns of the Past Year.

As we consider the TV offerings of the past year, a handful of series stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with woeful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the third season began, it looked like it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet full of poo was just way too on-the-nose. Still, viewers certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's issues. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the problems. The hilariously wooden dialogue? The mind-numbing veneration of affluence and materialism? The almost deliberate procession of cliches? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and never speak of this show again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this series might evoke should be saved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional provocations. But then you view them and are compelled to admit that actually, they may have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to live up to something far greater than it.

Too Much

How do you succeed a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

John Flowers
John Flowers

A seasoned travel writer with a passion for exploring luxury hotels and sharing cultural insights.